And what of the entertainment industry and its “piracy” problem? Well, back in 1939, the science fiction writer Robert A Heinlein published his first story, “Life-Line,” that contained his truest prediction:

“There has grown up in the minds of certain groups in this country the notion that because a man or corporation has made a profit out of the public for a number of years, the government and the courts are charged with the duty of guaranteeing such profit in the future, even in the face of changing circumstances and contrary to public interest. This strange doctrine is not supported by statute or common law. Neither individuals nor corporations have any right to come into court and ask that the clock of history be stopped, or turned back.”

The internet is important, but the copyright wars treat it as a triviality: like cable TV 2.0; like the second coming of the telephone; like the world’s greatest pornography distribution system. Laws such as the Digital Economy Act provide for disconnecting whole families from the internet without due process because someone in the vicinity is accused of watching TV the wrong way. That would be bad enough, if the internet were merely a conduit for delivering entertainment products. But the internet is a lifeline for families, and giving some offshore entertainment companies the right to take it away because they suspect you of doing them wrong is like giving Brita the power to turn off your family’s water if they think you’ve been abusing your filter; like giving KitchenAid the power to take away your home’s mains power if they think you’ve been using your mixer in an unapproved way.

The internet is the best – and often the only – place to publish all sorts of information, and yet England’s high court judges have decided that the entertainment industry can compile blacklists of sites they don’t like and get court orders demanding that service providers block them without a hearing, much less a trial.